Audiolense 4.2 is here with the same incredible frequency correction as before. This alone is enough to improve the sound quality in the finest audio systems.

We are confident that Audiolense is at the forefront of audio correction. The verdict from those who have moved from competing solutions have been positive - and the verdict from those who didn't have prior experience with advanced sound correction have been overwhelming since the early days. That includes Audiolense XO - our high end offering with True Time Domain correction as well as our entry level offerings Audiolense 2.0 and Audiolense Surround - that both utilizes a very good frequency correction.

Audiolense has been a pioneer in combining frequency correction with time domain correction since it was launched in 2007, and time domain correction has been a central part of our high end offering - Audiolense XO ever since. Most solution providers offer frequency correction only, perhaps with a delay function / phase rotation function to get different speakers and drivers roughly in sync. Some say that they do time domain correction, or at least they do nothing to clear up the misconception, while it is  clear to the  trained eye that  the filters only do frequency correction.

Getting the frequency response right is the most significant upside of using digital sound correction, but Audiolense nevertheless belongs to a small and exclusive group of solutions that do time domain correction. We're proud to say that Audiolense XO users typically enjoy more time domain correction than users of other solutions. The scope of the time domain correction can be chosen by the user, and they tend to prefer a lot more of it than the "norm". And they seem to enjoy it more too. The feedback we have received from users of the Audiolense XO with True Time Domain correction is simply more positive and more far reaching than we have seen anywhere else.

But we are not at the end of the road yet. There is still room for improvement in the Audiolense True Time Domain correction, and Audiolense 4.2 is the next step up in the sound quality ladder.

"Hearing is believing"  is more true in audio than anywhere else. If you have a decent measurement microphone and a PC hooked up to your hifi system you can create as many 90 seconds of corrected music with the Audiolense demo as you wish (more below about the demo) So you don't need to take our word for it. You can have a listen and make your own judgment.

If you posess proper measurement equipment you can measure  your speakers, create correction filters and listen to the impact of Audiolense before purchasing a license.

The Audiolense demo now has a function that generates 90 seconds of corrected music of your own choosing. You can listen to the corrected results with the player of your choice.

Just be aware that Audiolense has a huge influence on the sound quality. That's a fact whether you create a good or a bad filter. It works both ways. So be careful with what you wish for. The target response you draw is what you will get.

Due to acoustic differences from seat to seat some tweaking may be required to obtain the best possible sound quality across the room.

You can manually select which measurements to include in the multi seat pool and you can also tweak the tradeoff's between the sound quality in the sweet spot and in the other seats.

Whenever there have been struggle to achieve the sound quality that Audiolense is capable of, the root cause has usually been a flawed measurement.

With the new Measurement Quality Report - and quite a few improvements under the hood - most of the pitfalls have been eliminated